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In other words, even back in 1965 Get Smart seemed nothing like Bewitched or I Love Lucy. Its closest cousin back then was Hogan’s Heroes, the sitcom absurdly and unrealistically set in a Nazi POW camp, but Get Smart was always a more direct spin on a known genre. You laughed at it because it was funny, but you also laughed at it because you and those on the show both knew that most spy shows were ridiculous. In short, before Letterman became a talk show that spoofed talk shows, Get Smart was a knowing genre spoof. Not many mainstream TV shows from the ’60s actually reflected the times at all, what with all those network suits and all that money riding on selling every commercial.
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